The distinctive feature of the “Slovenian adaptation” of the performance is that while the head of the collective worked in co‑operation with the author, Vita Osojnik dealt with certain concepts entirely on her own way, in cooperation with a young, fresh team of dancers who are dealing as a group with deconstruction of masculinity on stage: “How do modern men construct their masculinity? How do modern women construct their femininity? What characterizes gender today, and what are the discourses that traverse this social and artistic construct? And, last but not least, how to construct gender on the stage?”